I've been a lover of the stage as long as I can remember. Mostly this love has been realized as a patron of local theaters. My father acted in community theater, and I had a scene onstage with him as his fictional son. In high school, I worked backstage on the light board and was rounded up for one dance number in my senior year production. A couple short pieces I wrote were selected for a short play festival a few years ago. I helped out last year at a friend's Fringe show. For most of my theater experience, though, I've been in the audience, a non-participant.
Still, the world of theater has always attracted me. When I first started to review plays, I thought "right, this is it, now I'm part of the world." I soon realized that "theater people" don't see it that way. Telling an actor or director that you are a "theater critic" is like telling them you like to kill puppies. It's not a good idea if you want to continue a conversation.
Certainly, I have objections to some of the reviews I see published in Philly outlets. Generally that's just because the reviewer did not share my judgement. At times though, criticisms can seem irrelevant or petty (a remember one piece when a critic complained about someone chewing gum a few rows away... mmnh). I have ideas about what is fair and not fair to write about a production, and those are not universally shared (or necessarily kept to by your faithful correspondent). But I know how hard it is to write a analytical journalism piece under deadline or for scant reimbursement. And if one well-educated experienced theatergoer had that opinion, however seemingly minor, others probably did too. A tough review can kill a small play run, and that's a shame, but the critic's commitment is to the reader, not to the playwright or director.
Broad Street Review, a local online media outlet which publishes regular personal-essay theater reviews of generally good quality, has organized an interesting conversation on this subject, on Thursday, May 26, at the Franklin Inn Club. The panel discussion will feature Bernard Havard of the Walnut Street Theatre, Charles McMahon of Lantern Theatre and Seth Rozin of InterAct facing off against Broad Street Review's critics Robert Zaller, Gresham Riley and Jim Rutter, with website editor Dan Rottenberg as moderator. It's too bad the talk is set up as a us-v-them debate, but that's too often how the relationship is viewed.
Theater People vs. Theater Critics...The Ultimate Debate
Date: Thursday, May 26, 2011
Time: 5 to 7 p.m.
Place: Franklin Inn Club, 205 S. Camac St. (below Walnut, between 12th and 13th St.), Philadelphia.
Admission: $8 in advance; $10 at the door.
Light refreshments will be served.
5/9/11 Talkin' Irish with Madi Distefano of Brat Productions (Philadelphia Performing Arts Authority)
5/7/11 Brat Productions’ CRAIC Fringes the Irish Theatre Fest (Stage Magazine)
5/4/11 Commedia, Terrorism, and Royalty: Inis Nua’s DUBLIN BY LAMPLIGHT (Stage Magazine)
4/19/11 Amaryllis Theatre Company Brings an Excelente Lydia to the Adrienne (Philaculturati.com)
4/5/11 Bleak Complexity: SPEAKING IN TONGUES at the Walnut’s Independence on 3 (Stage Magazine)
3/29/11 One Woman, Many Voices: LET ME DOWN EASY at PTC (Stage Magazine)
3/23/11 Review of BCKSEET Productions’ Losing the Shore (Philaculturati.com)